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Tuesday, September 05, 2006

panic in babylon



The legendary Lee Scratch Perry's newest album, Panic in Babylon, was released in the U.S. on August 22 via Narnack Records. The U.S. release features a bonus disc with remixes by DJ Spooky and TV On The Radio's Dave Sitek. Here's the title track, reworked by Mr. Sitek:

Lee "Scratch" Perry Panic in Babylon (Dave Sitek remix) mp3

buy the 2-cd Panic in Babylon here

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10 comments:

Blogger K. said...

steller pick chris. lee is a legend great stuff on this record.

9:49 PM  
Anonymous Anonymous said...

hey chris...always a pleasure checking up on your blog. i'm excited to go out and buy "panic in babylon" now.

speaking of new music...it's weird thinking about the struggles of unsigned bands. my friend just forwarded me an email she got from a band she really likes. i'd never heard of them before, but i checked them out after reading their story. they're called "hijack the disco". if you have a minute, you should read through what they wrote (it's long!). it gives some perspective on hard working bands out there. from the email i got:

:: Penning THE PEN AND THE LETTER ::
The story so far...

We 3 met up as HIJACK THE DISCO in 2003. A short time later, we started
laying plans to treat this band differently than any other band we had
been a part of. Our past incarnations had cut demos quickly and released
what we now recognize as half-assed cds, records, and cassettes. We toured
to varying degrees, tried our hardest to play engaging live shows, and
garnered loyal followings from a handful of people. Like any dedicated
band member, we were pumped about those early recordings, but time has a
way of dating itself while financial constraints trump production, making
the recordings nearly obsolete today. So, we 3 set a plan in motion to put
together a record that was free of time and financial constraints; a
record that would stand the test of time. We consciously decided to make,
by far, the best record of our lives and were willing to record it,
re-record it, re-think it, and re-work it over and over again until it was
perfect. In the process, we also craved an objective observer to help
every step of the way. How we were to do this was yet to be determined.

In early 2004, we recorded our first demo for free, in one day, with a
classroom of recording engineer students at Expressions New Media in
Emeryville, CA. The desire to play out live necessitated us releasing that
5-song demo EP (titled WORKING IS EASY) even though we had every intention
of re-recording the songs once we were able to properly do so. The same
urgency found another demo song (CENTER OF THINGS) on a split 7" with
Sacramento's ELECTRIC BADNESS, which received heavy rotation on both KALX
Berkeley and the world's premier indie internet radio station, BAGeL
RADIO.

Fast-forward a few months... Mike's uncertainty in career direction led
him to quit his paid computer tech job to voluntarily intern at the SF
indie mainstay studio, TINY TELEPHONE. This experience pushed him to
further attack the studio life, finally placing him at the historic PLANT
STUDIOS in Sausalito, CA. This 'temporary' unpaid gig at THE PLANT ended
up lasting two years where Mike chiseled away his days running
food-related errands for the likes of LINDA RONSTADT, P.O.D, MICHAEL
FRANTI and JOURNEY. It was at this time, that we started our search for
the right producer to bring in as an outside influence, and ultimately
ensure a proper recording. We first approached CHRIS WALLA via his
manager, but since DEATH CAB FOR CUTIE had recently signed to a major
label, his schedule was booked indefinitely. We then met a man whom we had
the utmost respect for: ROB CROW of PINBACK. He even agreed to produce our
record, but when ENRIQUE GONZALEZ MÜLLER (LES CLAYPOOL, MC HAMMER, DMB,
JASON NEWSTED, and a slew of great Venezuelan and Italian bands you never
heard of) said that he saw potential and was willing to produce our
record, we knew that his diverse engineering and producing background was
exactly what we needed for our eclectic batch of songs.

In March of 2005, we shut down our social lives and locked ourselves in
our studio for 6 weeks. We emerged victorious with 13 new songs (>2
songs/week) to add to our existing 8 songs already on the table, some of
which we had already released on WORKING IS EASY and the CENTER OF THINGS
split 7. After selecting 12 of the 21 songs to make the record, we
deconstructed and reconstructed the songs, finally rehearsing for weeks
with Enrique in pre-production. His influence was tremendous.

Determination aside, Mike's internship at THE PLANT ended up paying off:
we were credited the 5 weeks (35 days) needed to record our record.
Considering the normal $1,600 a day rate, Mike's deal paid off nicely.
Scheduling was difficult though between the band's day-job schedules, THE
PLANT's paid clients taking priority over us, and Enrique's constant
travels to Japan to teach, Sweden to work with TINA TURNER, Italy to work
with Italy's #1 pop-singer L'AURA, and his touring all-over-Europe to do
sound for a hugely popular Venezuelan band. Regardless, in '05 we managed
to pound out a week of drums in November and bass/keys in December. In
'06, Enrique's cousin, Francisco, joined us from Venezuela to edit drums,
guitars were tracked in February, and more weird guitars, miscellaneous
instruments, and noises were recorded during the Spring months in Mike &
Dave's living room. We then returned to THE PLANT for vocals in May/June
and finally mixing in August.

The final product is totally different than we ever expected. We think
it's fantastic, interesting, engaging, and richer than we ever could have
anticipated. The working title of the record is THE PEN AND THE LETTER and
it's peppered with guitar, bass, drums, dual vocals, autoharp, piano,
accordion, cello, viola, violin, singing-saws, bells, frying pans, water
jugs, trumpet, organ, melodica, gongs, trombone, shakers, tambourines,
scissors, SWORDS, acoustic guitars, found sounds recorded in various Tokyo
train stations, xylophones, a gin and tonic with ice, and countless other
sounds, noises, cell phones, vibrations, and screams. In total, there are
around 20 friends and family members playing, singing, or whispering on
THE PEN AND THE LETTER.

With the time spent planning, writing, rehearsing and recording this
record, not to mention the time spent interning to earn the studio credit
needed to make this record possible, we figure we owe it to ourselves to
shop this record to labels before we release it ourselves. Right or wrong
strategy... it's ours. Perhaps we'll give it a 6-month shopping spree
before we release it ourselves. Regardless, for the first time in our
lives we're confident that we finally have a solid product ready to
promote and distribute. We just need to find the right label to help us.
The good news is, the record's not totally under wraps: we've posted two
promo songs on our Myspace page [MYSPACE.COM/HIJACKTHEDISCO] or you can
hear various others on podcasts coming down the pike. And, of course, you
can always hear the latest at our live shows.

Xxx Ooo,
HIJACK THE DISCO

...if you read this far, thanks chris. crazy, huh? keep up the good work on your blog!

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