Beck Jam: Live in Dallas

Beck brought his impromptu "Beck Jam" to Dallas last night, and I have to trust he meant it when he said that it had been the best show of the tour. It was too spontaneous, too loose not to be. The band's gear was still in New York, so they were forced to make do with borrowed percussion and some Korg superbox sampler apparatus. When Beck and his crew busted out on stage, you got the sense that he and the boys wanted to boil some socks a few last times before settling for the cold winter. Beck rolls with perhaps the most entertaining hypeman/pop & locker of all time, and the band was perfectly silly throughout--giddy most notably during the extemporaneous flows and three minute verses woven through classics like "Debra" and "Where It's At." Brian on keys/laptop wore illicitly shrunken track shorts and managed to provide gorgeous harmonies and textures, and then you had Giovanni Ribisi donning couture space cowboy garb and noodling away, weaving distorted textures into his brother-in-law's compositions:

It was all very shambolic and gratuitous, but completely succinct, with the lock tight rhythm section oozing a ridiculously thick groove. Beck seemed to be in rare form, even busting out "Loser" before anyone could drunkenly request it. The band did end up taking a few requests, and I think the highlight for me was the extended, half-improved version of "Debra" that included something about R. Kelly going into the hot-air balloon business. And, I have to admit that part of the appeal was how surreal it seemed to watch an iconic figure like Beck perform from about 3 feet away.

You can't exactly pinpoint one singularly cool thing about this show. It was a tossed off affair, and was cool well before a note was struck. Let's not forget that Beck proposed the soiree to his agents at the Creative Artists Agency Monday morning, somewhere in between Philly and D.C., en route to that Black Cat slot. After a solid day of crackshot event planning, and much chatter about placing Beck in a 300 capacity room, they settled on the ballroom at Gypsy. You never expect things like that to happen, but such is the great fortune that is wont to befall our town from time to time.




Approximate Setlist (from memory, not in any particular order):
Devil's Haircut
Girl
Loser
Paper Tiger
Debra
Guess I'm Doing Fine
Scarecrow
Mixed Bizness
Nicotine & Gravy
Nausea
I Think I'm In Love
E-Pro
Black Tambourine
Where It's At
Cell Phone's Dead
We Dance Alone
Taking photos was a covert operation, as the friendly Gypsy staff promised to confiscate any rogue cameras that made their way into the venue. Still, we got a few decent ones; view more photos from the Beck Jam after the jump...
...and as always, click for larger image:






















11 comments:
Holy shit that was great! Special thanks to Chris Penn for letting me shut down Good Records a little bit early to catch it!
All the Love in the world..
-Kevin @ Good
Thanks for the covert pics! They're great! I must have been right behind you.
Harley
and in nyc:
For a band (if you can call them that) that refused to perform live for the longest time, you have to wonder if The Knife’s stance against the mainstream music industry was just buying time for the multimedia tour-de-force that is their live show in 2006. We caught show two last night at Webster Hall in the East Village, a perfect venue for the ninja-clad Swedish siblings. This is not a cross-your-arms and sway to the latest pretty-boy indie songwriter belting out over-produced lullabies of fragility; this is sweat it out, dance music in the truest sense. I had no idea what to expect from the electronic duo, but the show ended as being one of the most fun I have experienced. The duo’s stage presence really takes a backseat in the performance to the visuals that dominate the show, which consists primarily of various projections on a background screen, a foreground sheer screen, and three paper covered screens sat on stage. In an art world increasingly obsessed with “new media”, The Knife have to be at the forefront of this often-touted, but-still-much-to-live-up-to art revolution that is gaining ground by such notables as PaperRad, Cory Arcangel and the their cronies. The Knife’s visuals consist of manipulated video games, animations, film stills, underground cinema, computer-generated art, overtly political newscasts, and the like. It’s a sound and a scene that is as of the moment as any show I can imagine, yet it feels as organic as two artists who have come out of the woods, faces masked, to share their work with the rest of the kids.
Mr. Anonymous
I really wish we got to see them play the Of Montreal cover.. oh well.. i suppose that would have been hard on borrowed gear.
they played halloween night in atlanta and it was pretty kick-ass, despite the shitty sound.
Agreed.....great show! Amazing energy!
-Shannon
wow - thanks for making me feel like i was there
He was 50/50 to play at Club Congress last night but was a no-show. Then a friend of mine in El Paso said he played in a bar there last night. Anyone have any information about this?
Thanks,
James
yeah, he band rolled into town and rocked el paso in a last minute show on borrowed equipment at "the black market" (formerly "moontime pizza") to just a few hundred kids. i'm glad beck is revisiting his old weirdness. this is the guy i fell in love with in the early '90s.
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Audio Recording. Sounds decent, not good. A little low on the vocals, but not bad for a digital voice recorder.
http://rapidshare.com/files/2637449/Beck_Dallas_11-1-06.WMA.html
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